Red, black, and white are a always an exciting combination, and almost a year after I painted this one I still get a charge from it. After reading about Duane Keiser's painting a day plan all of my output has been just that. Working toward a deadline keeps my momentum going and if the momentum falters, and I think my day's work is not up to par I just put it aside and keep it to finish later. I can almost always get a painting up to snuff that way. I work for the most part on still life studies with one or two objects close to their actual size.
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